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Retables brabançons des XVe et XVIe siècles
Under the direction of Sophie Guillot de Suduiraut
Contributions by Sophie Guillot de Suduiraut, Sandrine Pagès-Camagna, Annick Born, Bodo Buczynski, Agnès Cascio, Ria De Boodt, Claire Dumortier, Aubert Gérard, Anne Gérard-Bendelé, Judith Kagan, Manfred Koller, Harmut Krohm, Catherine Lavier, Juliette Lévy, Emmanuelle Mercier, Catheline Périer-D’Ieteren, Jana Sanyova, Myriam Serck-Dewaide, Cécile Ullmann, Matthias Weniger, William Whitney, Kim W. Woods
€ 60.00 tax included
Series
Conférences et colloquesTechnical details
672 pages, paperback with flaps, 16 x 24 cm, 292 black-and-white illustrations and 1 color notebook.
Publication date
2001Related event
Proceedings of the symposium held at the Musée du Louvre on May 18 and 19, 2001.
Period
15th-16th centuriesCo-publisher(s)
La Documentation française
The duchy of Brabant, in the Low Countries, enjoyed a flourish of artistic activity during the late Middle Ages. The wealthy cities of Brabant, particularly Brussels and Antwerp, were major centers for altarpiece production, which was strictly regulated and widely distributed throughout Europe. Hundreds of multicolored sculpted wood altarpieces with painted panels were thus created during the 15th and 16th centuries.
This symposium gives a broader and more accurate view of the art of altarpieces from Brabant and paves the way for further study on the altarpieces of Northern Europe.